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November 12, 2026
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CHARLIZE THERON
CULTURE
/
Film
Jun 29, 2016
Pacquet-Brenner takes us through ‘Dark Places’
Two years after the opening of the pervertedly female-empowering “Gone Girl” (based on Gillian Flynn’s best-selling novel), I’m one of the people who still get chills when remembering Rosamund Pike’s monologue. “Gone Girl” officially put Flynn’s name on the map in more ways than one. Her online reputation...
CULTURE
/
Film
May 25, 2016
‘The Huntsman: Winter’s War’: On reflection, there’s little new here
There are so many conflicting messages in “The Huntsman: Winter’s War” that after the first half hour you give up trying to decipher them, only to realize they aren’t messages at all but a grab bag of snippets from various Hollywood blockbusters.
CULTURE
/
Film
Jun 17, 2015
‘Mad Max: Fury Road’ is so good at spectacular violence that it injures itself
If you want a vision of the future, at least from George Miller’s perspective, picture a boot stamping on a human face for about two hours. Those in search of a bludgeoning good time will find it in his new scorched-earth action extravaganza, “Mad Max: Fury Road” — it’s hard to remember the last time...
CULTURE
/
Film
Oct 8, 2014
A Million Ways to Die in the West: ‘If a movie this uninspired can make money at the box office, we’re doomed’
If a movie as lazy and uninspired as “A Million Ways to Die in the West” can get horrible press, bad word of mouth and still make its money back at the box office, then we’re doomed. “Family Guy” creator Seth MacFarlane’s follow-up to his debut film “Ted” is basically another vehicle for his usual borderline-offensive...
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Longform
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By
Elizabeth Beattie
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